Celia Hart's blog about what's going on in and around her studio.
Art, printmaking, inspirations, gardening, vegetables, hens, landscapes, wild flowers, East Anglia, adventure, travel.

Monday, 20 October 2014

Redgrave and Lopham Fen through the seasons


In late April we visited Redgrave and Lopham Fen on the border of Suffolk and Norfolk, it was Spring – the leaves were fresh and bright green, the reeds beds were full of birds, bright flowers spangled the heath and marsh and we heard the calls of the cuckoo and bittern . . . it inspired this linocut.

Yesterday we returned, our intention was to have a long quiet walk – but when we arrived we found dozens of cars in an overflow carpark! Suffolk Wildlife Trust were hosting a Apple Day Fair, it looked like fun so we paid the entrance money and went in for a look around . . .


There were lots of apples!

and some cute hedgehogs!

I bought bargain plants and vintage garden tools


and then we went for our walk . . .

Redgrave and Lopham Fen is large enough to feel like a wilderness; the weather was perfect – warm and breezy – for a day striding out between the rustling reed beds.

I love the textures at Redgrave and Lopham Fen, especially the vertical patterns of the reeds broken up with areas of water that reflect the sky.

The swirling patterns of this willow's bark echoed the movement of the reeds and leaves in the wind.

Sunlight illuminated the vivid olive green lichen on the Elder bushes,

and the russets of the Teasel heads.

Along a green lane outside the reserve we came across the quintessential toadstool – the Fly Agaric

And back inside the nature reserve area we stumbled upon lots of Giant Puffballs  . . . and these really were giants! as you can see compared to our OS map . . .

. . . or to my toes!
The puffball on the left has been munched by something, the one on the right has matured and is puffing out spores.

However tempting the thought of bacon fried with slices of puffball for supper, we left them untouched.


As we made our way back across the fen we met the resident herd of Konik ponies, these were introduced in 1995 to graze the vegetation prevent scrub invading the precious heath and marshy grassland habitats. Native British ponies aren't suited to living in these tough, wet conditions but these Polish ponies thrive. Konik ponies have the characteristics of the now extinct Tarpan – an primitive type of horse that roamed the plains of Europe after the Ice Age. These beautiful stocky ponies look as if they've walked out of a neolithic cave painting! They were very placid and didn't mind a bit that I took loads of photos – I think they'll be appearing in a print inspired by Autumn at Redgrave and Lopham Fen.

I hope you had chance to enjoy the unexpected warm sunny weekend, before we batten down the hatches for the first of the Autumn gales.


Celia
xx


Saturday, 11 October 2014

A print by the 'Two Brushes'


I went to my favourite local auction house today, I'd spotted something in the catalogue that made my 'art antennae' go into alert-mode! After a little research I realised the description in the auction catalogue was, how shall I put it? . . . economical with the truth. I could be on to a bargain!

In case someone had spotted what I had spotted and the bidding went bonkers, I decided to leave a modest commission bid with the auctioneer and cross my fingers.

But I couldn't resist popping in to the auction . . . and YES! The auctioneer banged down the hammer and I got the print for much less than my commission bid max. 

I skipped home and couldn't wait to get it out of it's grubby frame . . . I know it's a bit faded but the condition isn't bad at all. What I've found is a collaborative print between two major Japanese artists, Kunisada (who used his pseudonym 'Toyokuni III' to sign this print) and Hiroshige in a series of prints called 'Fifty-three stations (of the Tokaido Road) by the Two Brushes'


Hiroshige did the landscapes, views along the coastal route between Edo (Tokyo) and Kyoto. The views are similar to his earlier series '53 Stations on the Takaido' which established him as the master of the landscape print. This print depicts Station 9 'Odawara', at the Sakawa River crossing which is near the Yumoto hot springs.


Kunisada, who was famous for portraying Kabuki actors, did the figures in the foreground. This print has a woman (probably a Geisha, as she has blackened teeth) wearing a shibori dyed cotton yukata (summer kimono robe), she looks as if she's just been bathing in the hot springs and is drying her face.


I think the other figure is a maid? but her clothes and hairstyle are quite elaborate, so maybe a she's a Maiko (trainee Geisha)? Or is she selling something? I'm not sure exactly what is in the basket, is it food or cosmetics, or souvenir trinkets? It looks like a toy box!


Kunisada was 68 and Hirosada 57 when they worked on this series together, I think they must have been old mates. I love how they called themselves 'Two brushes ' (it makes me think of The Two Ronnies!). In fact when Hirosada died only a few years later, during a plague epidemic, it was Kunisada who designed his friend's memorial plaque. 

Hiroshige who died on 12 October 1858 by Kunisada




I can't quite believe I've found such a gem.


Celia
xx

Wednesday, 8 October 2014

A watershed moment

OR

thoughts while enjoying the autumnal sunshine


Thank you to everyone who came along to my exhibition at The Church Street Gallery in Saffron Walden which finished last Saturday. I haven't been to collect the unsold prints yet or check exactly what sold . . . I was a little disappointed with how quiet the gallery has been, but then again I'm not sure what I expected to happen. Should I have waited until I had done lots of new work just for a solo show? Was it silly to agree to putting together an exhibition in only a few weeks? 

Probably best not dwell on 'what-ifs'. A good number of prints including a framed 'Winter Evening in Bull's Wood' and lots of cards sold. And I've had some lovely positive messages from friends who did visit the gallery.

The past couple of weeks have felt like a watershed – between getting all my existing prints framed and exhibited and moving on to work on something different. I so want to do something a bit different! Is that a normal reaction after an exhibition?


And now for something completely different . . .

CUSHION COVERS



I'm introducing some printed fabric items into my online shop, starting with these printed linen slip-on cushion covers.
I have kept the price to enough to cover the fabric printing/making up the covers/p&p plus a little extra (after all I'm not giving stuff away!)and have decided to only sell them direct from my online shop rather than offer them at a trade price to shops/galleries.

I'd like to add further designs to the range, I can get the fabric printed in very small quantities and re-print the popular designs. Any feed back or suggestions of which of my designs you'd like to see adapted for cushions would be most welcome.

WATERCOLOURS

Some of you will know that I've wanted to get back into the habit of doing watercolour sketches. I very much want this to be a habit that becomes a small part of every day (not sure this will happen but the intention is there).
Earlier this summer I decided to treat myself to a brand new box of watercolours  . . .

of course, I had to start by doing this . . .


and after a slow start I'm gradually re-engaging with painting . . . 

I have rules -
no pencil or eraser allowed

 the Ginger Studio Assistant got bored and didn't pose for long!
discovering that limited time is actually good
not worrying about just painting over bits that went a bit wrong
and discovering that my car makes a good studio while out and about.

I haven't painted today
. . . and the sun is out! . . .


Celia
xx

PS: it may be sunny BUT it is VERY WINDY!!!
just done, still wet
today's watercolour -
the view beyond our garden.

Sunday, 21 September 2014

The day the people invaded the palaces!

Open House London

Yesterday we spend the day along with hoards of others, invading the rich 'palaces' of London's rich past and present.

Lot's of photos (taken with my phone) and a few brief words about our day . . .


Arriving at the old West India Dock on a misty, grey morning 

A magnificent inscription . . . I loved the emphasis given to certain words, its voice speaks across the centuries

The view behind us towards Canary Wharf, in the past 20 years the derelict docks have been transformed into London's high rise, high tech, commercial centre. The arch-shaped structure bottom left is the roof of the new Crossrail station and the building whose pyramid-shaped top is lost in the mist, is One Canada Square (usually just called 'Canary Wharf as it was the first tower in the development to be built) and where we were heading 

We had been very lucky to get pre-booked tickets for a tour up to near the top of One Canada Square, first to the Marketing Suite on the 30th floor, where we saw some incredible architectural models of the whole site's development - past and future. And then up to the Level 39 which is the home to technology start-up business and is very cool. Photos weren't allowed, which was a shame.

We were allowed to take photos out of the windows . . .

The Thames and the City spread out before us in the grey mist

Another view of the new Canary Wharf Crossrail Station, it's shape is inspired by a ship in dock and will include a roof garden

Other things I loved in One Canada Square but couldn't photograph . . . the sculptures in the foyer by Bridget McCrum and the amazing flower arrangements!

Moving on . . .

Next stop was The Guildhall where we hoped to join a walking tour. Sadly the first-come-first-served system meant all places for the whole day had been snapped up within minutes of the 10am kick-off!

Nevertheless, there was lots to see, firstly we went into the Guildhall Art Gallery to see the Roman Amphitheatre which is in the basement. On the way downstairs we also saw Magna Carta.

We then crossed the square and went into the Guildhall itself, here's the magnificent Great Hall - the entrance guarded by the giants Gog and Magog


In this huge space Mayor Dick Whittington held a banquet for Henry V . . . I wonder if his cat was invited to the party?

Monuments to 'British Heroes' line the walls . . . here is a very sad British Lion and Britannia mourning the death of Lord Nelson, while a lady with nice handwriting writes up a list of his victories on a board

And here is Pitt the Elder surrounded by symbols of his illustrious career, there's Britannia again with a very fluffy British Lion and a bee skip (skep) to represent 'industry' and 'hard work'.

Down in the crypt the stained glass windows, designed in the 1970s, depict different Livery Companies. This one is for the Gardeners' Company, whose motto is -

In the sweat of thy brows shalt thow eat thy bread
(a quotation from the Bible, Genesis Chapter 3 verse 19)
how true!


After a snack eaten perched on a seat in Guildhall Square, we were off again . . . heading down Throgmorton Street with a glimpse in the distance of what was once London's tallest building Tower 42

Just past the clock in the the photo above is Drapers' Hall, along with everyone else we weren't prepared for the magnificence within!

There's Her Majesty looking down on the masses gawping at the splendour of the Drapers' HQ 

The furnishings, furniture, illuminated charters and paintings were splendid! Former Drapers' Company members' wives and children depicted in their best frocks

We were allowed to sit on the sofas in the Drawing Room, wouldn't it be a lovely place for Afternoon Tea?! Sadly no scones appeared

Back out in the City streets and alleys . . . I love these wall plaques marking the Wards of the City of London

We headed towards the river, down Pudding Lane and past The Monument marking the place where the spark in a bake house ignited the Great Fire of London.

In Lower Thames Street we went in The Customs House, the latest of many Customs Houses to occupy this site for nearly 2000 years! and still the home of HM Customs and Revenue today. It was interesting to see the offices and displays inside but very crowded and hot so we didn't stay too long.

On Tower Hill, there's the ancient church of All Hallows by the Tower now dwarfed by the new giants of London's skyline . . . The Walkie-Talkie, The Cheese Grater and The Gherkin . . . Londoners' sense of humour survives in the 21st Century!

And across the water on the south bank of the Thames is The Shard . . . an is currently the tallest building in Europe

The Tower of London guards the entrance to the City as it has for centuries . . . those life-like lions were made from chicken wire by artist Kendra Haste

Before heading home we joined the crowds of people looking over the Tower moat at Blood Swept Land and Seas of Red the installation of ceramic poppies to commemorate the dead of WWI . . . each one of the 888,246 poppies mark a British military fatality in the 1914-1918 conflict. A time to stop and think a while. 

London never fails to surprise and astound. 

Celia
xx